Canto I introduces these controlling themes, presenting Odysseus’s visit to the underworld, where he is to receive information from the spirits of the dead that will enable him to return home. Ezra Pound is widely considered one of the most influential poets of the 20th century; his contributions to modernist poetry were enormous. Imagism combined the creation of an “image”—what he defined as “an intellectual and emotional complex in an instant of time” or an “interpretative metaphor”—with rigorous requirements for writing. His later work, for nearly fifty years, focused on the encyclopedic epic poem he entitled The Cantos. Cummings, political ruminations with US Senator Bronson Cutting, and The Letters of Ezra Pound to Alice Corbin Henderson (1993), which details the working relationship between Pound and Poetry magazine editor over a 37-year period.
Poet Ezra Pound studied literature and languages in college and in 1908 left for Europe, where he published several successful books of poetry. The Poetry of Ezra Pound: Forms and Renewal, 1908-1920 Hugh Witemeyer No preview available - 1969. The Bughouse: The Poetry, Politics, and Madness of Ezra Pound. After teaching at Wabash College for two years, he travelled abroad to Spain, Italy, and London, where, as the literary executor of the scholar Ernest Fenellosa, he became interested in Japanese and Chinese poetry.
On October 21, 1909, he responded to Williams, “It seems to me you might as well say that Shakespeare is dissolute in his plays because Falstaff is … or that the plays have a criminal tendency because there is murder done in them.” He insisted on making a distinction between his own feelings and ideas and those presented in the poems: “I catch the character I happen to be interested in at the moment he interests me, usually a moment of song, self-analysis, or sudden understanding or revelation. Edited letter collections include correspondence with poets William Carlos Williams and E.E. Through it all runs a sense of alienation from a native land he needed to whip, presumably for its own good. Pound carried copies of A Lume Spento to distribute when he moved to London later that year; the book convinced Elkin Mathews, a London bookseller and publisher, to bring out Pound’s next works: A Quinzaine for this Yule (1908), Exultations (1909), and Personae (1909). “All talk on modern poetry, by people who know,” wrote Mr. Carl Sandburg in Poetry, “ends with dragging in Ezra Pound somewhere. EMBED (for wordpress.com hosted blogs and archive.org item tags) Want more? Hailed as a masterpiece by some and wholly incoherent by others, it did not help that their initial success collided with his political views, which culminated in various fascist outpourings on Italian radio during the Second World War. Opening the luminous door in your writing. Partially collected in 1994 as Ezra Pound and James Laughlin: Selected Letters, the written correspondence between these two friends was vast, numbering more than 2,700 items. In an often quoted letter to his father in April, 1927, Pound explained that the “outline or main scheme” of the Cantos is “Rather like, or unlike, subject and response and counter subject in fugue: A.A. Live man goes down into world of Dead/C.B. (1939), Cathay (1915)The Classic Anthology Defined (1954)The Great Digest, and the Unwobbling Point (1951)The Translations of Ezra Pound (1953). It is a pity that politically he was in the wrong side of history.
He completed two years of college at the University of Pennsylvania and earned a degree from Hamilton College in 1905. The critic David Perkins, writing in A History of Modern Poetry, summarized Pound’s enormous influence: “The least that can be claimed of his poetry is that for over 50 years he was one of the three or four best poets writing in English”; Perkins continues, his “achievement in and for poetry was threefold: as a poet, and as a critic, and as a befriender of genius through personal contact.” In a 1915 letter to Harriet Monroe, Pound himself described his activities as an effort “to keep alive a certain group of advancing poets, to set the arts in their rightful place as the acknowledged guide and lamp of civilization.”
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