After attending a performance of The Black Crook in New York, Mark Twain, in a March 3, 1868 column in Alta, California, wrote that the musical "debauched many a pure mind." But in September, The Black Crook debuted, with odd traits at the time that have now come to typify the modern musical. The Black Crook: An Original, Magical and Spectacular Musical Drama. With its suggestive story of wickedness, its chorus of scantily clad chorus girls, and its breathtaking scenic efforts it was, as The New York Times claimed, “decidedly the event of this spectacular age.” “The Black Crook” was adored by audiences for its exquisite sets, costumes, and large ensemble pieces, but one element of the production that still takes a toll… Early advertisements feature the scenic effects (TRANSFORMATION SCENE or THE CRYSTAL CASCADE) much more … The Black Crook is a faustian tale about young artist Rodolphe who is unknowingly tricked into going on a suicide mission by the manipulative Black Crook, who tells him that Rodolphe can find riches he can use to win over his beloved Amina from the clutches of the evil Count Wolfenstein (Rogers 477). The Black Crook's scandalously dressed dancers, who were the first to perform the Can-Can on an American stage, delighted and shocked audiences. Amina loves Rudolph and turns the powerful Count Wolfenstein down when he proposes to her. In a jealous rage, Wolfenstein throws Rudolph into a dungeon. 多くの劇作家がThe Black Crookを、現代と同形式のミュージカルの最初の人気作品だとしている。. A phenomenon of the 19th Century, “The Black Crook” was the Broadway blockbuster musical of its day. The show featured a melodrama about a painter who sells his soul to a Sorcerer and mashed together dance numbers by a Parisian ballet troupe set to popular music. From The Library of Congress This is the second in a series of posts about the 1866 proto-musical, The Black Crook. A year after the Civil War ended, on September 12, 1866, The Black Crook opened at Niblo’s Garden on Broadway and Prince Street. The Black Crook is an origin story for the spectacle that is America, and 150 years after we shall exhume it once again. See my first post in the series for additional background on the show Very little is known about the music used in the original production of The Black Crook. The Black Crook was produced by Abrons Arts Center in 2016 in honor of the 150th anniversary of the original production, with assistance from the Lower Manhattan Cultural Council's Creative Arts Fund Grant. If only black-and-white ("b&w") sources are listed and you desire a copy showing color or tint (assuming the original has any), you can generally purchase a quality copy of the original in color by citing the Call Number listed above and including the catalog record ("About This Item") with your request. 原作本の著者はCharles M. Barras (1826-1873)。. With Edward P. Sullivan, Gladys Coburn, Roland Bottomley, Henry Hallam. The Black Crook “The Black Crook” is often times considered the very first musical, but many different themes from the production are still being used in theatre today. The Black Crookは、 1866年にニューヨークのミュージカルシアターで最初に生みだされ、大きな成果をあげた作品。. When 'The Black Crook' premiered in 1866, it was a five-hour, 100-performer melodrama about a painter who sold his soul to a Sorcerer, combined with dance numbers by a Parisian ballet troupe set to popular music of the period. Directed by Robert G. Vignola.
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